Water Rights in Film

 

 

Water rights also connect explicitly with human approaches to ecology that not only draw on riparian rights and the appropriative doctrine, but also helped to foster the EPA’s Clean Water Act of 1972. For example, Ellen Swallow Richards explains how human approaches to ecology encourage the right to water, explaining “In common law, water is held to be a gift of nature to man for use by all, and therefore not to be diverted from its natural channels for the pleasure or profit of any one to the exclusion of the rest” (Air, Water, and Food 57). But for Richards, it was not enough to ensure water was available. That water must also be clean, asserting, “A city or town is under strict obligation to furnish a safe supply of water as it is to provide safe roads” (59). For Richards, everyone should have access to water free of contaminants or “objectionable substances, mineral and organic” (61) because it is “a necessary condition of life” (67). 

Perhaps because water is both abundant and necessary, it serves as a protagonist in films from the silent era to the present. Water rights take different roles in contemporary feature films. Floods take the center in silent films such as Victor Fleming’s When the Clouds Roll By (1919), New Deal features, such as Our Daily Bread (1934), and contemporary features such as Michael Polish’s Northfork (2003). Drought, on the other hand, serves as the protagonist in features from the John Ford epic Grapes of Wrath (1940) and contemporary documentaries, including Jim Burroughs’ Water Wars (2009). 

All of these films, however, draw on environmental history and environmental law, paving the way for films that are at least partially based on America’s sometimes conflicting views of water rights, views almost always grounded in the nineteenth-century American drive for progress. Although this connection to environmental law is most explicitly illustrated by the documentary Tapped (2009) and an animated feature, Rango (2010), it reaches the mainstream in more subtle and powerful ways in Quantum of Solace, an unlikely rhetorical film that not only demonstrates the dangers of commodifying water but also offers solutions that look back to earlier historical visions of water as a right.